The Cross of Snow

In the long, sleepless watches of the night,
A gentle face — the face of one long dead —
Looks at me from the wall, where round its head
The night-lamp casts a halo of pale light.
Here in this room she died; and soul more white
Never through martyrdom of fire was led
To its repose; nor can in books be read
The legend of a life more benedight.
There is a mountain in the distant West
That, sun-defying, in its deep ravines
Displays a cross of snow upon its side.
Such is the cross I wear upon my breast
These eighteen years, through all the changing scenes
And seasons, changeless since the day she died.

The Cross of Snow
by Henry Wadsworth Longfellow
Photography by Janice Stiles-Boults
Copyright 2009

The Truth the Dead Know

By Anne Sexton

For my mother, born March 1902, died March 1959

and my father, born February 1900, died June 1959

Gone, I say and walk from church,
refusing the stiff procession to the grave,
letting the dead ride alone in the hearse.
It is June. I am tired of being brave.

We drive to the Cape. I cultivate
myself where the sun gutters from the sky,
where the sea swings in like an iron gate
and we touch. In another country people die.

My darling, the wind falls in like stones
from the whitehearted water and when we touch
we enter touch entirely. No one’s alone.
Men kill for this, or for as much.

And what of the dead? They lie without shoes
in their stone boats. They are more like stone
than the sea would be if it stopped. They refuse
to be blessed, throat, eye and knucklebone.

Anne Sexton, “The Truth the Dead Know” from The Complete Poems of Anne Sexton (Boston: Houghton Mifflin, 1981). Copyright © 1981 by Linda Gray Sexton and Loring Conant, Jr. Reprinted with the permission of Sterling Lord Literistic, Inc.Source: The Complete Poems of Anne Sexton (1981).

Photography by Janice Stiles-Boults, Copyright 2007

Cape Cod sunrise

Cape Cod moonrise

The Reaper and the Flowers

There is a Reaper whose name is Death,
And, with his sickle keen,
He reaps the bearded grain at a breath,
And the flowers that grow between.

``Shall I have nought that is fair?'' saith he;
``Have nought but the bearded grain?
Though the breath of these flowers is sweet to me,
I will give them all back again.''

He gazed at the flowers with tearful eyes,
He kissed their drooping leaves;
It was for the Lord of Paradise
He bound them in his sheaves.

``My Lord has need of these flowerets gay,''
The Reaper said, and smiled;
``Dear tokens of the earth are they,
Where he was once a child.

``They shall all bloom in fields of light,
Transplanted by my care,
And saints, upon their garments white,
These sacred blossoms wear.''

And the mother gave, in tears and pain,
The flowers she most did love;
She knew she should find them all again
In the fields of light above.

O, not in cruelty, not in wrath,
The Reaper came that day;
'Twas an angel visited the green earth,
And took the flowers away.

-Henry Wadsworth Longfellow-

Photograph by Jan Boults, copyright 2007

The Death of the Flowers

William Cullen Bryant (November 3, 1794 - June 12, 1878)

American romantic poet, journalist, and long-time editor of the New York Evening Post.

Bryant was born in a log cabin near Cummington, Massachusetts; the home of his birth is today marked with a plaque. Bryant and his family moved to a new home when he was two years old. The William Cullen Bryant Homestead, his boyhood home, is now a museum.

Writing poetry was not enough to financially sustain a family. From 1816 to 1825, he practiced law in Great Barrington, Massachusetts, in the building pictured below, which still houses law offices. He supplemented his income with such work as service as the town's hog reeve. Distaste for pettifoggery and the sometimes absurd judgments pronounced by the courts gradually drove him to break with the profession.

The Death of the Flowers

The melancholy days are come, the saddest of the year,
Of wailing winds, and naked woods, and meadows brown and sere.
Heaped in the hollows of the grove, the autumn leaves lie dead;
They rustle to the eddying gust, and to the rabbit's tread;
The robin and the wren are flown, and from the shrubs the jay,
And from the wood-top calls the crow through all the gloomy day.

Where are the flowers, the fair young flowers, that lately sprang and stood
In brighter light and softer airs, a beauteous sisterhood?
Alas! they all are in their graves, the gentle race of flowers
Are lying in their lowly beds, with the fair and good of ours.
The rain is falling where they lie, but the cold November rain
Calls not from out the gloomy earth the lovely ones again.

The wind-flower and the violet, they perished long ago,
And the brier-rose and the orchis died amid the summer glow;
But on the hills the golden-rod, and the aster in the wood,
And the yellow sun-flower by the brook, in autumn beauty stood,
Till fell the frost from the clear cold heaven, as falls the plague on men,
And the brightness of their smile was gone, from upland, glade, and glen.

And now, when comes the calm mild day, as still such days will come,
To call the squirrel and the bee from out their winter home:
When the sound of dropping nuts is heard, though all the trees are still,
And twinkle in the smoky light the waters of the rill,
The south wind searches for the flowers whose fragrance late he bore,
And sighs to find them in the wood and by the stream no more.

And then I think of one who in her youthful beauty died,
The fair meek blossom that grew up and faded by my side.
In the cold moist earth we laid her, when the forests cast the leaf,
And we wept that one so lovely should have a life so brief:
Yet not unmeet it was that one, like that young friend of ours,
So gentle and so beautiful, should perish with the flowers.

-William Cullen Bryant-

Stargazer Lily Photo by Jan Boults. Copyright 2007

All My Pretty Ones

All my pretty ones?

Did you say all? O hell-kite! All?

What! all my pretty chickens and their dam

At one fell swoop?...

I cannot but remember such things were,

That were most precious to me.

-Macbeth-

Father, this year’s jinx rides us apart
where you followed our mother to her cold slumber;
a second shock boiling its stone to your heart,
leaving me here to shuffle and disencumber
you from the residence you could not afford:
a gold key, your half of a woolen mill,
twenty suits from Dunne’s, an English Ford,
the love and legal verbiage of another will,
boxes of pictures of people I do not know.
I touch their cardboard faces. They must go.

But the eyes, as thick as wood in this album,
hold me. I stop here, where a small boy
waits in a ruffled dress for someone to come ...
for this soldier who holds his bugle like a toy
or for this velvet lady who cannot smile.
Is this your father’s father, this commodore
in a mailman suit? My father, time meanwhile
has made it unimportant who you are looking for.
I’ll never know what these faces are all about.
I lock them into their book and throw them out.

This is the yellow scrapbook that you began
the year I was born; as crackling now and wrinkly
as tobacco leaves: clippings where Hoover outran
the Democrats, wiggling his dry finger at me
and Prohibition; news where the Hindenburg went
down and recent years where you went flush
on war. This year, solvent but sick, you meant
to marry that pretty widow in a one-month rush.
But before you had that second chance, I cried
on your fat shoulder. Three days later you died.

These are the snapshots of marriage, stopped in places.
Side by side at the rail toward Nassau now;
here, with the winner’s cup at the speedboat races,
here, in tails at the Cotillion, you take a bow,
here, by our kennel of dogs with their pink eyes,
running like show-bred pigs in their chain-link pen;
here, at the horseshow where my sister wins a prize;
and here, standing like a duke among groups of men.
Now I fold you down, my drunkard, my navigator,
my first lost keeper, to love or look at later.

I hold a five-year diary that my mother kept
for three years, telling all she does not say
of your alcoholic tendency. You overslept,
she writes. My God, father, each Christmas Day
with your blood, will I drink down your glass
of wine? The diary of your hurly-burly years
goes to my shelf to wait for my age to pass.
Only in this hoarded span will love persevere.
Whether you are pretty or not, I outlive you,
bend down my strange face to yours and forgive you.

Anne Sexton, “All My Pretty Ones” from The Complete Poems of Anne Sexton (Boston: Houghton Mifflin, 1981). Copyright © 1981 by Linda Gray Sexton and Loring Conant, Jr. Reprinted with the permission of Sterling Lord Literistic, Inc.

Three Dahlias', photograph by Jan Boults, copyright 2008

Albert Camus

In the midst of winter I found at last

there was within myself

an invincible summer.

- Albert Camus

Dahlia photo by Janice Stiles-Boults

Copyright 2008